Boston Chamber Orchestra - Emerging
Plain
(premiere: 11.19.00, Boston, MA)
Lectures / Papers
2007
International Society of Improvising
Musicians Conference, Chicago, IL
Li
Xiangting and Guqin Improvisation: Expression, Poetic Impression
and the Ambiguities Between Composition and Improvisation
(12.14.07)
2007
Dulwich College, Beijing, China
Lectures
on Chinese Music: Aesthetics and Philosophy in Chinese Painting,
Poetry and Music, The Guqin Tradition, Folk Music of Yunnan,
Chinese Rock Music of the 1990's. (12.11.2007)
An experimental found object percussion ensemble
designed to allow people from diverse backgrounds explore their
creativity in music and participate in the co-composition and
performance of works for found objects and percussion. The
ensemble was integrated into a course on American Experimental
Music in 2005. Projects, collaborations and concerts in the US and
Europe.
Arts Management
1998-00
General Manager,
Dinosaur Annex Music Ensemble, Boston, MA
1998-99
Office Manager,
ALEA III, Boston, MA
Principal
Teachers
Composition
David Rakowski, Eric Chasalow, Yehudi Wyner, Martin
Boykan, Hans Zender, Marjorie Merryman, Theodore Antoniou, Matthew
Rosenblum, Lyle Davidson
Improvisation
Ran Blake, Hankus Netsky, Scott
Sandvik
Guitar
Scott Sandvik
Guqin
古琴
Li Xiangting (李祥霆) Beijing, China
Yang Shinyi, Boston, MA
Languages
Mandarin Chinese (fluent)
German (fluent)French
(basic)
Research &
Creative Interests
China
Chinese
Guqin (古琴)
Performance and Improvisation, Timbre and Form, Relationships
between guqin performance/repertoire and Chinese Poetry
Stringed Instruments in Chinese Minority Folk Music
Traditions
Yi minority San Xian (三弦)improvisation
tradition
Sugudu (速古笃)in
Naxi Folk music tradition
Aesthetics and Philosophy
Influences and relationships between Chinese and Japanese
Philosophy (Confucianism, Taoism, Buddhism), New England
Transcendentalism and American Experimental Music
Creativity
Studies
Cross-Cultural
Study of Creative Process: Preschool and Elementary School
Children
Timbre
Haydn
and the Origins of Modern Orchestration
Timbral Integration: Chinese and Western Stringed Instruments
Timbre and Sound Gesture of Found-Object Instruments
Education
General
Education in Music
Teaching Music Appreciation to the non-professional through
creative work and performance in Experimental Music